A Review by Bryan W. Alaspa ~
There is something about short stories. They lend themselves particularly well to the horror genre, but there is something about them that makes them not quite as popular as novels. I think it has to do with the thing that makes them work so well for me – their shortness. That may seem obvious, but bear with me.
When you have a much longer work, well, you have time to identify with the characters. You slowly immerse yourself into their world. You get to know them. Some of the best novels make you feel like they are part of your life, as if they were real people. Then you go through the ups and downs with them and, at the end, there is usually some kind of resolution. Granted, not always, and some of them leave you hanging, but even those can make you feel like you have left these people that you came to love someplace, maybe having learned something.
The short story, meanwhile, does not have that luxury. You are often flung into the worlds of the characters. You have to catch up quick, and then shocked by the horrific things that happen to them, and just when you are starting to get the rhythm and vibe of the characters, the story ends! Often short stories, more than any other type of writing, leaves you hanging, without that blissful resolution. Their literary teases.
However, that does lend itself to horror. I think it lends itself to horror better than any other genre. And the horror genre has embraced it. Most of Poe and just about all of Lovecraft came in short story form. Some of the best stories you might know from Stephen King, originated in short story form (Children of the Corn, Trucks, The Lawnmower Man).
For some, it is also an opportunity to break themselves in to a writer that they might want to try out in nugget-sized bites first. And it is in that vein that I tell you about Patrick C. Greene’s horrifying and excellent collection of short stories called Dark Destinies.