we are giving away five signed copies of PROGENY!
“A rip-roaring quick read told so vividly, you’ll feel like you’re watching a movie.Bigger than the battle between man and Bigfoot is the battle between man and son. Three father/son relationships, each one has their own complexities, dramas and heartaches. Although different, they also share a painful similarity: loss. Loss of respect. Loss of innocence. Loss of control. A horror story that goes beyond monsters lurking in a forest..a story of monsters lurking within living beings..of broken relationships and misunderstandings that wreak more havoc than Bigfoot himself.”(Edited) Jen’s Pen Den
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Thank you to everyone who took advantage of the free download and posted a review on Amazon!
****THIS PROMOTION HAS ENDED****
The publisher of PROGENY, Hobbes End Publishing, decided to make the Kindle version FREE for a limited time.
You only have a few days!
What reviewers are saying:
“A rip-roaring quick read told so vividly, you’ll feel like you’re watching a movie.
Bigger than the battle between man and Bigfoot is the battle between man and son. Three father/son relationships, each one has their own complexities, dramas and heartaches. Although different, they also share a painful similarity: loss. Loss of respect. Loss of innocence. Loss of control.
A horror story that goes beyond monsters lurking in a forest..a story of monsters lurking within living beings..of broken relationships and misunderstandings that wreak more havoc than Bigfoot himself.”(Edited for length) Jen’s Pen Den
“…surprisingly good, very solid writing, likable (or very much not likable) but always three dimensional characters, strong pacing and just overall engaging storytelling. One can read it as drama with meditation on parenting, action thriller with concentration on a hunt and its consequences or just a story about Sasquatches. Either way it works and well.” (Edited for length) Bandit – Goodreads
“This story is much more than a Bigfoot tale. It’s a coming of age piece of art, about a father and son who experience something deadly behind their wooded home. Mr. Greene has a poetic prose in his writing, and Progeny is a quick and fun read.” Leigha Langston – Amazon
“[PROGENY] climbs inside and demands at least one more page to be read before stopping for the night.” Dean – Amazon
FINAL DAYS of the PROGENY Kindle Countdown Sale!
“Progeny is a rip-roaring quick read that’s told so vividly, you’ll feel like you’re watching a movie. It’s one of those stories that builds its premise slowly but surely, enticing the reader to turn the pages faster and faster as the terror heats up. In fact, I’d say for the last third of the book, I was curled in a fetal position, afraid to even look out my own window lest I see a giant monster staring in at me.
“Deanna reflexively turned toward Chuck–but her eyes were drawn to the window of the door behind him. A massive dark form was there, filling the window frame, peering in at them with huge eyes that eerily reflected the firelight.”
For me, Progeny was all the scarier because of my fear of the woods (don’t you dare laugh!). I don’t know how many times I’ve walked through the forest and heard a twig snap or seen a footprint that was way too large to be a deer or rabbit. Furthermore, I don’t know how many stories I’ve heard from friends who’ve come upon a mountain lion or bear while hiking. The woods are teeming with life, and in Progeny, they’re teeming with a life that’s far more alarming than any mountain lion or bear.
“Lightening flashed in an extended strobing burst, silencing Zane–and giving all of them a brief glimpse of the massive hairy beast standing less than ten yards behind them…Then it was dark again.”
Yet, despite its many terrifying moments, Progeny had its touching moments, too. Bigger than the battle between man and Bigfoot is the battle between man and son. The word “progeny” means offspring, descendent, or son. In this book there are three distinctive father/son relationships, and each one has their own complexities and dramas and heartaches. Yet, although these three father/son pairings are different from each other, they also share a painful similarity: loss. Loss of respect. Loss of innocence. Loss of control. Loss of love. Loss of life! Patrick C. Greene does a terrific job of telling a horror story that goes beyond monsters lurking in a forest. He tells a story of monsters lurking within living beings. Of anger and sorrow and regret. Of broken relationships and misunderstandings that wreak more havoc than Bigfoot himself.
If you’re looking for a heartfelt yet suspenseful read, this is it!” Jen’s Pen Den
A co-worker casually asked me what my current writing project was. Foreseeing an extended, rambling discourse littered with bumbling, incoherent summaries of my many irons in the fire, I saved myself some awkwardness and my co-worker some boredom by tossing out “Well, I’m kinda between projects right now.”
Truth is, I’m never between projects, and I doubt many of my fellow writers, if they’re serious, could say they are either.
Before writing my novel PROGENY, I concentrated my writing efforts on screenwriting and the occasional short story. In the world of screenwriting, assuming you’re able to get past the initial obstacles that are in place to weed out those poor deluded souls who unfortunately lack the talent, discipline, or knowledge to complete a polished screenplay, the writer is not necessarily the Last Word on the story’s direction, themes, characters, setting, title, etc. Many screenwriters spend the bulk of their careers working from someone else’s idea or treatment.
Those who manage to get their spec (for ‘speculation’, meaning the script is totally original, written with the hopes that a producer will be interested in the script itself, as opposed to just wanting to hire the writer) past the other submitters and readers (there are people working for the production companies, often unpaid interns, whose main function is to read scripts and separate the wheat from the chaff) will then receive ‘notes,’ which basically address the elements of the script that aren’t agreeable to the potential producer and/or director.
Sometimes, the changes being requested have to do with budget, location, or casting possibilities. Other times, there is no discernible reason.
All this is to say that screenwriters will often find themselves working on several projects at once. Those ‘notes’ come in out of the blue, often after you’ve given up on that particular lead. Suddenly you’re burning the midnight oil to meet a new deadline, forcing aside whatever else you might have been working on.
I tend to fall into a certain groove with a project. Once I start a screenplay or story, I immerse much of myself into that world, viewing the world through its specific “rules,” if you will. The feel, the general atmosphere may almost always be more or less dark, but in varying shades, from one project to another. To suddenly leave behind one world and jump back into another is disconcerting at best.
But after a while, ya just gotta be a pro and go with it.
I’ve known authors who work on a sort of stream-of-consciousness basis, starting projects as the inspiration hits them. This results in the juggling of several stories at once. For me, the initial story idea goes into a notebook or email to myself, and gets revisited depending on how intensely it haunts me as the project at hand comes to a close. But I can see the advantage of taking a break from one project to have some fun with a less serious, less “urgent” work.
Nowadays, I lean toward treating screenwriting as a pastime almost, while painting more ambitious landscapes on the canvas of prose. More accurately, that is the position of my current cycle. Screenplay formatting actually makes for a great first draft for pure prose, which is why I’m converting the tales that comprise “Twisted Fates,” the omnibus script currently in development at SaintSinner Entertainment, into short stories. I enjoy reading a book and then comparing it to its film adaptation, and vice versa, so I figure there are others of like mind. Two of those stories are currently available; “Nightbound” in the vampire anthology WRAPPED IN RED, and “Fate by Firelight” in DARK DESTINIES. The third, GUARDIAN OF THE ORCHARD, is currently in the hands of my editor.
So, having just turned in the latest draft of Fates to the producers at SaintSinner, I’ve also submitted and am awaiting response from a publisher on my second novel “The Crimson Calling,” (which is also the first of a trilogy.) That means (hopefully) revision notes on that one in the near future. Then there’s a film project I can’t yet discuss, commissioned by foreign producers, also my locally produced web series “The Outside Man”, my submission for the coming WRAPPED IN WHITE ghost anthology, and any number of short story ideas hammering their way out of my skull.
So, with apologies for my li’l white lie, I laugh at the notion of being “between projects,” hoping quite frankly, that I never am.
So much more than a Bigfoot story…
Hey everybody! It’s Jen! Patrick’s wife and biggest fan! Join us this week as we celebrate the one-year anniversary of the release of Patrick’s debut novel, PROGENY! There will be a lot going on, places to visit on the interwebs, interviews and blogs to read, excerpts from the new novel, and some freebies and giveaways you don’t want to miss! The first thing to do is join the Facebook PROGENY event here PROGENY CELEBRATES ONE YEAR! so you don’t miss out on any of the action!
SCHEDULE OF EVENTS:
Oh my goodness – he’s everywhere!
What does the FOX say? Find out HERE,
Jen’s Pen Den review HERE,
and the Fiona Mcvie interview HERE
you will find the first chapter HERE
And on Thursday
more Freebies and Giveaways, exciting announcements and another new release!
A few of the prizes:
Signed copy of Progeny
Signed copy of Dark Destinies
Paperback of Endlands 1
Paperback of Endlands 2
Paperback of Strings
Paperback of Wrapped In Red
Signed original Progeny concept sketch #1
Signed original Progeny concept sketch #2
Free electronic copy of Silver Surrogate (new release)
*prizes subject to change based upon availability.
- Happy Book Anniversary: Progeny by Patrick C. Greene (jenspenden.wordpress.com)
- Here is my interview with Patrick C Greene (authorsinterviews.wordpress.com)
The book was smooth and super easy to read.
A man, Owen Sterling, buys land from the local Tsalagi tribe with the promise not to sell or exploit the land…
…To my surprise there was a much deeper story than I expected.
****THIS REVIEW CONTAINS SPOILERS****
I recently had the privilege of interviewing Mr. Lyle Blackburn of Fouke Monster and Ghoultown fame!
Lyle Blackburn is a frequent contributor and cryptozoology advisor to Rue Morgue magazine, one of the leading horror media publications in print today. Lyle’s Monstro Bizarro blog is featured on Rue Morgue’s website and his “Monstro Bizarro Presents” news column appears monthly in the print magazine. He has also contributed to websites such as Cryptomundo.com, and has been a featured speaker at paranormal conferences and horror conventions around the country.
Growing up in Texas, Lyle has always been fascinated with legends, lore and sighting reports of real-life “monsters.” He has studied the phenomenon in legend, fact and film, and is the author of The Beast of Boggy Creek: The True Story of the Fouke Monster.
Lyle is also the founder and frontman for the Texas-based rock band, Ghoultown. Since 1998, Ghoultown has released eight albums, toured extensively in both the U.S. and Europe, and has appeared on several horror movie soundtracks. Most recently, Lyle and his band collaborated with legendary television horror hostess, Elvira – Mistress of the Dark, to create her new theme song, which was also turned into an extended music video. The video was featured on Elvira’s Movie Macabre television show, which is syndicated throughout the U.S. on local stations.
Your book The Beast of Boggy Creek: The True Story of The Fouke Monster has been selling consistently well and receiving great reviews. It even has a Video Promo. How long did you spend putting it together?
From the time I started researching and writing, it took one year. Of course I had prior knowledge and experiences that went into the book, but as far as from the time I drove up to Fouke with the intention of book research to the date I finished and got a publishing deal, it was almost one year exactly. During that year I went to Arkansas many times to conduct interviews, visit the Texarkana libraries, and even go into the swamps and woods myself so I could investigate some of the sighting locations.
Word is there’s a follow up in the works. Can you tell us anything about it yet?
One of these days I plan to write a follow-up to Boggy Creek, but it’ll be awhile before I start. Since releasing the book, I’ve already investigated several new Fouke Monster sightings, found out about some more old ones, and also dug up some more interesting facts that will make for a great book. But it still needs time to develop more before starting that. There’s still stuff coming in so I don’t wanna jump the gun. In other words, I don’t wanna throw out some sequel just because the first book was popular. It needs to be worthwhile for myself and the reader. In the meantime, I have a list of other cryptid books I plan to write, not to mention I just finished a new book that will be out this fall.
When did you start hunting monsters? Was it something you always wanted to do?
I was always interested in strange creatures like bigfoot, yeti, and lake monsters, but never really considered going out to look for them until much later in life. After seeing The Legend of Boggy Creek as a kid, I did look over my shoulder when we hunted or went camping in Arkansas, but my interest was mostly confined to reading other people’s accounts in books. Then after years of playing in bands, which pretty much confined me to the jungles of nightclubs and music venues, I decided to cut that off and start getting back to my love of the outdoors and monsters. I started with bigfoot research, which led to the book, which has now led to most of my time being spent researching cryptids both in a scholarly way and in the field.
The Legend of Boggy Creek was a major inspiration for my novel Progeny as well. You’ve amassed a comprehensive list of Bigfoot flicks. What are some of your favorites?
My favorite, of course, is The Legend of Boggy Creek. For me it not only satisfies my craving for scary bigfoot tales, but also reminds me so much of my childhood going through small towns like Fouke on the way to bow hunt with my dad. There was always something creepy about old towns, as if they held monstrous secrets that outsiders could never know. Such is the basis for many other horror films, I suppose.
Some of my other favorite classic bigfoot films are Creature From Black Lake, Sasquatch: The Legend of Bigfoot, and Snow Beast. As far as new films, I like Savage and one that was never widely released called Paper Dolls. But the best of the new crop, and my favorite besides Boggy Creek, is Bobcat Goldthwait’s Willow Creek. It’s not released yet, but I had a chance to see a special screening of it last month. It’s simply amazing. Something that people probably won’t expect from Bobcat, but certainly one of the best bigfoot films – if not one of the best horror films – I’ve seen in awhile.
I’ve a had a few. The most notable was when myself and a friend were canoeing in an Arkansas bayou late one night. We heard six evenly spaced howls that sent chills up our spines. We’ve heard all kinds of animals in the woods over the years, but this was something altogether different. It was a large animal that sounded very unique. Luckily we got one of the howls recorded. Back at home I listened to numerous sound clips of animals common to the area, but couldn’t find any matches. To this day, I’m not sure what we heard.
In previous interviews you’ve stated that you are more inclined to the theory that sasquatch and its variants are flesh and blood creatures, rather than interdimensional travelers with supernatural powers. Does this extend to other strange topics, such as UFOs and ghosts? In other words, have you pretty well ruled out validity of paranormal phenomena?
Not necessarily. I think it depends on how we define paranormal. By definition, unidentified flying objects undoubtedly exist. People do see strange lights and crafts in the sky. The question is, are they driven by an extraterrestrial force? Nobody can conclusively prove that one way or the other, so it certainly falls into the category of paranormal until we have more concrete evidence to go on. Ghosts too. I think that people are seeing, hearing, and experiencing things that can’t be easily explained. The question is, are these the immaterial forms of a dead people? Again, nobody can say at this point, so that too falls into the category of paranormal.
If you somehow obtained indisputable proof of the existence of one of these creatures, what do you think you would do with it?
I would probably consult a few of my closest and most well-respected friends in the bigfoot research community so that we might be able to thoroughly document the evidence before going public. Then I would probably hold a press conference or something so that no one could dispute that we had something before the government or some other major scientific organization moves in. I think it would be an earth-shattering discovery to find something that is so human-like as bigfoot appears to be, so it shouldn’t be something taken lightly or made public in a haphazard way.
Like everything else, Bigfoot and his cousins have found their way to reality television and its ilk. Do you find this to be a positive or negative development for the science of cryptozoology?
It’s both good and bad, I guess. It’s good, in that it makes people feel like they won’t be called crazy if they do report a sighting. But bad, since reality television is not the same as thorough science or research. People may draw conclusions about cryptozoology based on the approach of these shows, or even the cast members, when it may not necessarily represent what truly goes on in the field.
That being said, I personally don’t get all stressed out about these shows. I understand that it’s entertainment television and I choose to enjoy the shows, or not. I’ve even been on some of them. Some of them are fun and some are kinda worthless, but overall I think it’s gotten the public fired up about the subject of mystery monsters, and to me, that’s not a bad thing. So I just don’t spend much energy worrying about things I can’t really control. I just try to write good books and present good lectures. That’s the part I can control, so I focus my energies there.
What other anomalous phenomena interest you?
I’ve always been a fan of ghost stories and sightings. I love creepy stuff, so anything like that is cool. I just got the In Search Of… DVD set, so it’s fun to watch all the different episodes which cover so many weird things. The world is always a better place when there’s a bit of mystery involved.
Onto music. Your band Ghoultown has been together since 98 which is a pretty long run for a band. How do you guys maintain the magic?
I think the secret to our longevity is that we don’t take it too seriously. The music business can really kick you in the ass, so at the end of the day you just have to try and have fun doing what you do. We’re also good friends, so that helps too.
On the Ghoultown website, the band bio concludes with the statement to the effect that you are not a part of any genre, trend or musical scene. Why do you feel it’s important to make this disclaimer–if that’s what it is?
I guess you could call it a statement of independence. But really it’s just something that popped into my head as I was writing up the new bio. It sounded cool, so that was that.
There’s no doubt that Ghoultown is a unique melding of genres. Who are some of your influences and favorites?
Spaghetti westerns and horror movies are the main influence for the band. Most of the bands I listen to have no influence or relation to what I do in Ghoultown, so there’s not very much influence coming in from other music.
Of your own songs, which mean the most to you for whatever reason?
“Return of the Living Dead” is my favorite because I think technically, it’s the best song I’ve written. Some of my other favorites are “Under the Phantom Moon,” Walking Through the Desert With a Crow” and “The Worm.” I hardly ever go back and listen to our music once it’s been recorded and released, but these are songs I listen to and say ‘wow, did I really write that?’
Anybody ever tell you you look like that dude from Monster Magnet?
Yes. The clerks at the big retail guitar store give me discount because they think I’m in Monster Magnet. I just roll with it.
You’re secret’s safe with me bro–but I can’t vouch for the freakos who read this blog.
FREE ALL WEEKEND July 12-14 Progeny by Patrick C. Greene – From Hobbes End Publishing. Great reviews on Amazon and Goodreads. Action/Adventure, Coming-of-Age, “Monsters portrayed with realism and thoughtfulness. – “Not your typical horror.” You can also enter for a chance to win a free autographed paperback copy of Progeny when you join the Facebook event on the Progeny page HERE Thanks and Happy reading!
Owen Sterling is a reclusive author living in a secluded house deep in the woods. When he welcomes his son Chuck for a summer visit, the eleven-year-old suspects something is not right at his father’s home. His worries mount when he witnesses a confrontation between his father and some local hunters.
Zane Carver is the local gun-shop owner who confronts the author over Owen’s refusal to let anyone on his land for hunting or camping. He defies the recluse, taking a hunting party onto Owen’s property.
Soon, Zane and his buddies discover the writer’s secret . . . a deadly secret; a creature whose infinite rage they have unwittingly ignited . . . that is now hunting them.
1984. The Soviet Union is locked in a bitter war in Afghanistan against the Mujahideen. To make matters worse, they are losing. With little hope left, and all odds against them, the Soviet Union grows desperate. In response, they create an exotic chemical weapon with a single purpose: To enhance their soldiers on the battlefield.
To test their creation, a secret mission is underway, and they test it on a Mujahideen hold-out, a massive cave complex on the far eastern border of Afghanistan.
2010. The United States is now at war in Afghanistan. To make matters worse, an elite team of Delta Force Operators have gone missing. There remains a lone survivor: Sergeant C. York.
Sergeant York describes a horrifying tale, a nightmare that has been awakened after two decades.
In response, a top-secret CIA team is brought in. These are members of the elite Special Activities Division, the best of the best. Made up of Delta Force, DEVGRU and a famous Marine sharpshooter, they face sheer terror as they are sent in to do one thing:
Kill everything inside the cave.
THE ENDLANDS VOL 2
The Endlands—a place of darkness, of despair.
The Endlands—a place where terrifying legends are true.
Watch where you step, as there are things hiding in the recesses of your imagination that will keep you up at night. In this second volume, you will explore your deepest fears. You will find twisted realities, demonic diaries, and creatures from the beyond. So turn on a light, just enough to scare away the shadows, and enter the world of The Endlands.
Created by Vincent Hobbes