While I hate to pigeonhole myself, I find that, with the Haunted Hollow Chronicles, I’m very much considered a splatterpunk/retro-eighties style author. At least for now.
Not such a bad lot in life, actually. I grew up on 80s horror, metal, and action cinema, and it’s still very much a part of who I am. Films and shows such as STRANGER THINGS and IT FOLLOWS bring me a deep sense of… completion, for lack of better.
I have already addressed how I wrote The Haunted Hollow Chronicles (book 3 is essentially finished, pending publisher approval) with a very deliberate exclusion of modern internet-focused technology so that the characters feel the isolation and vulnerability I remember as an 80s kid. There were plenty of desolate backwoods parking, partying, and “rumble” (we didn’t call it that — I mean, how quaint) spots that attracted us, the southern American trash teen.
Places with no adult supervision, let alone police presence. Spots where one’s B-movie fueled imagination could easily cast one’s adolescent sense of self as a character in The Texas Chainsaw Massacre, Friday The 13th, or -if you’re really imaginative- MAD MAX, and its numerous, mostly Italian post-apocalyptic imitators. Places where one might feel a sense of peril where there wasn’t any — but could be.
All the cliche’s – parking with your girl behind an abandoned factory, running out of gas, being chased by crazed hillbillies, meeting your rival to settle a score in a circle of hooting classmates and headlights — not so inconceivable. We did these things, or knew kids who did.
So I’m led to wonder — what draws the younger folk to the trappings of this era? Because surely to Godzilla, my decrepit age group is not the only one consuming al this nostalgic horror media.
2015’s THE TURBO KID could have come right out of 1986, with it’s synth soundtrack, gory practical effects, and grungy post-apocalyptic setting (complete with Michael Ironside, THE go-to villain for the best and/or worst of the eighties exploitation classics) yet it’s makers let all us 80s survivors in on the joke, sometimes with the subtlest of winks, sometimes with a billboard. It makes perfect sense that BMX bikes will be the chief mode of transportation when the gas runs out — yet it is sublimely hilarious to see the film’s hulking, scarred thugs hunkered over and peddling around on a whirring two-wheeler, same as the titular kid.
It’s set in the future — which is 1997 to the film’s internal hapless post-nuke scrabblers. It feels “80s” because it’s made very deliberately like an 80s movie. Scanning through the user reviews on iMDB, it’s not hard to spot who’s been around long enough to know this is a loving homage and who are the whippersnappers inclined (rightfully from their view) to sneer at the low budget and the quirky acting. Yet even those detractors admit it has a powerful charm. This point I make to illustrate my own curiosity regarding the 80s nostalgia fad.
Take the Netflix dramedy G.L.O.W. It nails the era and its values, yet… still seems like an all-knowing look back somehow. “Those people are naive, and oh my God, do they not know how different, silly and meaningless this will all be in a few years???” we are led to think.
Not that that’s bad. It’s a great show. It’s just — I find that I don’t want the real 80s; a time when, not only nuclear apocalypse but the other more insidious apocalypse of corporate domination stood as looming threats, influencing our daily lives for better or worse. The 80s we geezers are feeding to today’s iPhone-addled youth, is decidedly better than the real thing.
At least, it looks much cooler on film.
If I had a nickel for every upcoming horror film synopsis or blurb that used some variation of the term “80s throwback/homage/celebration” the total would come to $8, 677.05, adjusted for a circa 1985 economy. Enough for about three VHS movies back then.
Still, getting into the head of a genre nerd born in say 1995 and feeling how they feel when they listen to Duran Duran or watch The A Team, The Fly, or even, say, Rocktober Blood sounds like a good time.
Doubtful we’ll have the of technology for such recreational brain-vading until at least 2025 though, and by then everybody will be marking out over the early 2000s, leaving the 80s about as irrelevant as the 50s, an era with which, for the record, I was quite enamored during the 80s.
But enough ramble-niscing. Here in the deepest catacombs of North Carolina’s nights, your ol’ pal Pattie doesn’t get a chance to spend much time around younger schlock culture geeks. I’d love to hear from some post-eighties babies who dig the vibe of that decade. What’s cool about it? What’s ludicrous? Help me help you help me be the best retro-recaller I can, so I don’t have to write fifty scenes of characters whining about their smart phones not working.
we are giving away five signed copies of PROGENY!
“A rip-roaring quick read told so vividly, you’ll feel like you’re watching a movie.Bigger than the battle between man and Bigfoot is the battle between man and son. Three father/son relationships, each one has their own complexities, dramas and heartaches. Although different, they also share a painful similarity: loss. Loss of respect. Loss of innocence. Loss of control. A horror story that goes beyond monsters lurking in a forest..a story of monsters lurking within living beings..of broken relationships and misunderstandings that wreak more havoc than Bigfoot himself.”(Edited) Jen’s Pen Den
Thank you to everyone who took advantage of the free download and posted a review on Amazon!
****THIS PROMOTION HAS ENDED****
The publisher of PROGENY, Hobbes End Publishing, decided to make the Kindle version FREE for a limited time.
You only have a few days!
What reviewers are saying:
“A rip-roaring quick read told so vividly, you’ll feel like you’re watching a movie.
Bigger than the battle between man and Bigfoot is the battle between man and son. Three father/son relationships, each one has their own complexities, dramas and heartaches. Although different, they also share a painful similarity: loss. Loss of respect. Loss of innocence. Loss of control.
A horror story that goes beyond monsters lurking in a forest..a story of monsters lurking within living beings..of broken relationships and misunderstandings that wreak more havoc than Bigfoot himself.”(Edited for length) Jen’s Pen Den
“…surprisingly good, very solid writing, likable (or very much not likable) but always three dimensional characters, strong pacing and just overall engaging storytelling. One can read it as drama with meditation on parenting, action thriller with concentration on a hunt and its consequences or just a story about Sasquatches. Either way it works and well.” (Edited for length) Bandit – Goodreads
“This story is much more than a Bigfoot tale. It’s a coming of age piece of art, about a father and son who experience something deadly behind their wooded home. Mr. Greene has a poetic prose in his writing, and Progeny is a quick and fun read.” Leigha Langston – Amazon
“[PROGENY] climbs inside and demands at least one more page to be read before stopping for the night.” Dean – Amazon
FINAL DAYS of the PROGENY Kindle Countdown Sale!
“Progeny is a rip-roaring quick read that’s told so vividly, you’ll feel like you’re watching a movie. It’s one of those stories that builds its premise slowly but surely, enticing the reader to turn the pages faster and faster as the terror heats up. In fact, I’d say for the last third of the book, I was curled in a fetal position, afraid to even look out my own window lest I see a giant monster staring in at me.
“Deanna reflexively turned toward Chuck–but her eyes were drawn to the window of the door behind him. A massive dark form was there, filling the window frame, peering in at them with huge eyes that eerily reflected the firelight.”
For me, Progeny was all the scarier because of my fear of the woods (don’t you dare laugh!). I don’t know how many times I’ve walked through the forest and heard a twig snap or seen a footprint that was way too large to be a deer or rabbit. Furthermore, I don’t know how many stories I’ve heard from friends who’ve come upon a mountain lion or bear while hiking. The woods are teeming with life, and in Progeny, they’re teeming with a life that’s far more alarming than any mountain lion or bear.
“Lightening flashed in an extended strobing burst, silencing Zane–and giving all of them a brief glimpse of the massive hairy beast standing less than ten yards behind them…Then it was dark again.”
Yet, despite its many terrifying moments, Progeny had its touching moments, too. Bigger than the battle between man and Bigfoot is the battle between man and son. The word “progeny” means offspring, descendent, or son. In this book there are three distinctive father/son relationships, and each one has their own complexities and dramas and heartaches. Yet, although these three father/son pairings are different from each other, they also share a painful similarity: loss. Loss of respect. Loss of innocence. Loss of control. Loss of love. Loss of life! Patrick C. Greene does a terrific job of telling a horror story that goes beyond monsters lurking in a forest. He tells a story of monsters lurking within living beings. Of anger and sorrow and regret. Of broken relationships and misunderstandings that wreak more havoc than Bigfoot himself.
If you’re looking for a heartfelt yet suspenseful read, this is it!” Jen’s Pen Den
FREE ALL WEEKEND July 12-14 Progeny by Patrick C. Greene – From Hobbes End Publishing. Great reviews on Amazon and Goodreads. Action/Adventure, Coming-of-Age, “Monsters portrayed with realism and thoughtfulness. – “Not your typical horror.” You can also enter for a chance to win a free autographed paperback copy of Progeny when you join the Facebook event on the Progeny page HERE Thanks and Happy reading!